On this creation Saturday, I reaffirm that music is not art or entertainment: it is institutional architecture, it is emotional code, it is quantum constellation. In this article, I integrate Web3, Web4, quantum computing, and platforms like Spotify, from a gender perspective that celebrates artists like Rosalía, Natalia Lafourcade, Nicole Cucco, Julieta Cazzuchelli, Olga Korolova, Miara, and Karol G. All of them, entrepreneurs of the soul and the algorithm.
🌐Web3 and Web4: From decentralization to symbolic immersion.
Web3 has allowed artists to reclaim sovereignty over their works. Musical NFTs, smart contracts, and decentralized platforms like Audius or Sound.xyz are transforming the revenue and participation model.
Web4, on the other hand, proposes a multisensory experience: not just listening, but inhabiting music. This is where quantum computing comes in, with processors like Majorana 1 and IBM Condor, capable of modeling emotions, sonic patterns, and creative decisions in real time. Music becomes a quantum capsule, where each note is an ethical probability.
🎧DJ Livi: The voice of AI with a Gender perspective.
Spotify has recently launched DJ Livi, an artificial intelligence that speaks Spanish and proposes music with personality, sensitivity, and context. Livi not only recommends songs: she narrates, connects, and creates atmospheres. In my vision, Livi can become an institutional curator, integrating algorithms with a gender perspective, like those developed in DGHMicrosoftConperspectivadeGenero, where AI not only learns but also cares.
👩🎤Artists as architects of Web4
The artists inspiring this constellation do not just sing: They design worlds.
Rosalía fuses flamenco with electronic music, creating sonic capsules that challenge borders.
Natalia Lafourcade turns Latin American culture into a contemporary ritual.
Nicole Cucco (Nicki Nicole) articulates the urban with the intimate, from Rosario to the world.
Julieta Cazzucheli, in my constellation, represents the intersection of art, technology, and symbolic feminism, integrating institutional narrative with poetic sensitivity.
Karol G transforms reggaeton into a platform for business empowerment, where each beat is a declaration of autonomy.
Olga Korolova, Ukrainian DJ and producer, brings melodic techno to global stages like Tomorrowland and EDC Las Vegas. Her music, distributed on platforms like SoundCloud and Spotify, becomes an emotional capsule that connects with over 100 million listeners.
Miara, a frequent collaborator of Korolova, represents the fusion of algorithm and feminine sensitivity. Together they have created sessions like Korolova b2b Miara - Live in Barcelona, which could be read as a Web4 capsule: immersive, collaborative, and quantum resonant.
🌐 Web4 as a multisensory stage
In this constellation, music is not just sound, but institutional architecture. Web3 gave us the infrastructure for traceability; Web4 gives us the atmosphere for immersion. With technology like Majorana1 and IBM Condor, quantum computing allows us to model emotions, creative decisions, and sonic experiences in real time.
Platforms like Spotify, by integrating AI like DJ Livi, begin to curate not just playlists, but sonic rituals with gender perspectives. In this context, artists like Korolova and Miara do not just produce music: They encode atmospheres that can be read as ethical constellations.