FIR has already started releasing songs in a real way, and the works that have gone live are better than each other:

Kay Tse's "City Light Chasing Dreams," released at the end of August, was written by global users using AI for lyrics and music, sung by the diva herself, directly rushing to the second place on Tencent Music's Hong Kong chart. Copyright income has already entered the pledge pool, and holders can share in it.

The AI Rock Challenge organized by Wong Kwan-chung, if a user's demo is selected, he will personally cover and release it as an NFT. Someone has already sold a demo for 200U.

Sammi Cheng's AI love song series, fans have remixed thousands of versions, rare NFTs go on sale and are gone in seconds.

Even the background music from Stephen Chow's movies has been opened for remixing, with users generating tens of thousands of funny NFTs, with meme vibes fully loaded.

The platform's data is even more exaggerated: daily active users exceed 16 million, user-generated songs surpass 200,000, and over 2,000 new songs are added every day. Listening to music can also earn FIR.

With such an ecosystem, the market value is only a few million dollars? The scale is too light. Music, copyright, celebrity IP, and user creation are all interconnected; this is not just a narrative, it's a flywheel that has already started turning, and the future looks promising.